Grosses Analysis: Tony Awards Buildup Gives Broadway Box Office a Lift | Playbill

Grosses Grosses Analysis: Tony Awards Buildup Gives Broadway Box Office a Lift The coverage leading up to the 71st Annual Tony Awards helped box office tallies.
Bette Midler Julieta Cervantes

For the week ending June 11, which coincided with the 2017 Tony Awards ceremony at Radio City Music Hall, the Bette Midler-led Hello, Dolly! brought in $2,022,026 at the box office. The critically acclaimed production—just named the season's Best Revival of a Musical Tony winner—last passed the $2 million mark in the week ending April 30.

In fact, the coverage leading up to the 71st Annual Tony Awards seemed to have a good effect on the overall Broadway box office. The cumulative gross was $34,128,420, up from $32,793,984 the previous week.

Click here for a complete look at this week's grosses.

Other productions surpassing the $2 million mark include the Lin-Manuel Miranda hit Hamilton ($2,741,983) and the long-running The Lion King ($2,096,787), with Wicked just a hair behind ($1,929,353).

Those shows that broke the $1 million mark at the box office include Aladdin, Anastasia, Charlie and the Chocolate Factory, Come From Away, Tony-winning Best Musical Dear Evan Hansen, Kinky Boots, The Great Comet, School of Rock, The Book of Mormon, The Phantom of the Opera, and Waitress.

Waitress set a new record for the highest-grossing eight-performance week at the Brooks Atkinson Theatre with a total of $1,385,059. This breaks the previous record set the week ending April 16. As Sara Bareilles wrapped up her engagement, the musical also broke its highest-gross single-performance record June 10, taking in $194,894 at the box office.

And, with a heavy Tony ad campaign, grosses for A Doll's House, Part 2 continued to rise. The new comedy took in $533,186, up from the previous week's take of $452,694.

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