True Colors Theatre Company
Atlanta, GA
US

DESCRIPTION

CONTRACT

LOA

$845 weekly minimum (Ref. to LORT) - Stage manager

$767 weekly minimum (Ref. to LORT) - Assistant stage manager

SEEKING

All Equity stage managerial positions for True Colors Theatre Company's 2025 Season have been filled. (See breakdown).

Please submit for future consideration.

Stage managers local to Atlanta, GA are encouraged to submit.

SUBMISSION INSTRUCTIONS

Please send your resume for future consideration to Lisa Watson, Production Manager.

Deadline: 11/18/2024

SUBMIT TO

True Colors Theatre Company

ATTN: Lisa Watson, Production Manager

887 W. Marietta Street

Suite J-102

Atlanta, GA 30318

PERSONNEL

JAJA’S AFRICAN HAIR BRAIDING

Artistic Director - Jamil Jude

Playwright - Jocelyn Bioh

Director - Ibi Owolabi

Casting Director - Clifton Guterman, CSA

Production Manager - Lisa Watson

AIN’T NO MO’

Artistic Director - Jamil Jude

Playwright - Jordan Cooper

Production Manager - Lisa Watson

OTHER DATES

JAJA’S AFRICAN HAIR BRAIDING

1st Rehearsal January 14, 2025

Opens: February 14, 2025

Closes: March 9, 2025

AIN’T NO MO’

1st Rehearsal: May 13, 2025

Opens: June 10, 2025

Closes: July 6, 2025

OTHER

https://truecolorstheatre.org/

Equity’s contracts prohibit discrimination.

Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

BREAKDOWN

True Colors Theatre Company 2025 Season

JAJA’S AFRICAN HAIR BRAIDING

SYNOPSIS: Welcome to Jaja’s bustling hair braiding shop in Harlem, where every day a lively and eclectic group of West African immigrant hair braiders are creating masterpieces on the heads of neighborhood women. During one sweltering summer day, love will blossom, dreams will flourish, and secrets will be revealed. The uncertainty of their circumstances simmers below the surface of their lives, and when it boils over, it forces this tight-knit community to confront what it means to be an outsider on the edge of the place they call home.

AIN’T NO MO’

SYNOPSIS: Through a blend of sketch, satire, avant-garde theatre and a dose of drag, Ain’t No Mo’ answers the incendiary question: What if the United States government offered Black Americans one- way plane tickets to Africa? This unpredictable comedy speeds through the turbulent skies of being Black in today's America. A kaleidoscope of moments surrounding this great exodus are told by an ensemble cast featuring Peaches, a larger-than-life flight agent boarding the final plane leaving the United States.

SALARY

LOA (Ref. to LORT) - see above

UNION

AEA