Jeremy Piven, who will make his Broadway debut next month in the revival of David Mamet's Speed-the-Plow, and Dianne Wiest, who is currently on Broadway in the revival of All My Sons, were among the winners of the Emmy Awards, which were presented Sept. 21.

ABC-TV broadcasts the 60th Primetime Emmy Awards Sept. 21 live from the NOKIA Theatre in Los Angeles beginning at 8 PM ET. Reality-TV personalities Tom Bergeron ("Dancing with the Stars"), Heidi Klum ("Project Runway"), Howie Mandell ("Deal or No Deal"), Jeff Probst ("Survivor") and Ryan Seacrest ("American Idol") host.

Stage and screen stars Kristin Chenoweth and Neil Patrick Harris announced the nominees for the 60th Primetime Emmy Awards July 17 at the Leonard H. Goldenson Theatre in North Hollywood, CA. Both actors found themselves on this year's list of nominees: Chenoweth for "Pushing Daisies" and Harris for "How I Met Your Mother."

Composer Joe Iconis brings listeners deep into his process as he explains the influences and circumstances around the last half of his score.

Meet the first-nighters at the opening of Broadway's Cry-Baby.

Still waters run deep. Then, there's John Waters, whose movies are never still or deep and, thus, highly susceptible to Broadway musicalization — like Cry-Baby, which arrived April 24 at the Marriott Marquis Theatre, joining his five-year-old bro, Hairspray, on The Great White Way.

In show business, irony tends to rule the roost. A case in point is comedian and actor Rob Bartlett, a teddy-bear type with a walrus moustache who turned his early experiences into the Broadway comedy, More to Love. Alas, critics fell over themselves finding more to hate about that innocuous piece, which closed in a week and left Bartlett extra-lucky to have his day job: a writer and sidekick on the morning show of radio’s famed but deliberately unlovable Don Imus.

In show business, irony tends to rule the roost. A case in point is comedian and actor Rob Bartlett, a teddy-bear type with a walrus moustache who turned his early experiences into the Broadway comedy, More to Love. Alas, critics fell over themselves finding more to hate about that innocuous piece, which closed in a week and left Bartlett extra-lucky to have his day job: a writer and sidekick on the morning show of radio’s famed but deliberately unlovable Don Imus.