Everyone dies, but not everyone’s death is pre-ordained by Shakespeare. Rosencrantz and Guildenstern Are Dead puts the spotlight on two of Shakespeare’s minor characters as they wrestle with fundamental, pressing questions of identity, loss, fate, friendship, and the absurdity of existence. As they hurtle towards their imminent demise, Rosencrantz and Guildenstern unlock what it means to be truly alive.
New York Drama Critics' Circle | |||
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1968 | Best Play | Winner |
Outer Critics Circle | |||
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1968 | Outstanding Play | Winner |
Tony Award | |||
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1968 | Scenic Design (Play or Musical) | Winner | |
1968 | Best Featured Actor in a Play | Nominee | |
1968 | Best Featured Actor in a Play | Nominee | |
1968 | Best Featured Actor in a Play | Nominee | |
1968 | Best Direction of a Play | Nominee | |
1968 | Costume Design (Play or Musical) | Winner | |
1968 | Producer of a Play | Winner | |
1968 | Play | Winner |
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