Broadway's new revival of John Kander, Fred Ebb, and Joe Masteroff's Cabaret officially opened at the Kit Kat Club (née August Wilson Theatre) April 21, and the reviews are in. The opening follows an April 20 gala celebration, and previews began April 1.
Directed by Rebecca Frecknall, this immersive staging comes to New York from London's West End, where it won seven 2022 Olivier Awards, including Best Musical Revival.
The Broadway cast is led by Oscar, Tony, and Olivier winner Eddie Redmayne, reprising his London performance as The Emcee; Gayle Rankin (Glow) as Sally Bowles; Ato Blankson-Wood (Slave Play) as Cliff; Bebe Neuwirth as Fraulein Schneider; Steven Skybell as Herr Schultz; Natascia Diaz as Fraulein Kost and Fritzie; and Henry Gottfried (Waitress) as Ernst Ludwig.
Click Here to Purchase the Opening Night Playbill for the Cabaret Broadway Revival
The cast also includes Marty Lauter (AKA Marcia Marcia Marcia of RuPaul's Drag Race season 15) as Victor, Gabi Campo as Frenchie, Ayla Ciccone-Burton as Helga, Colin Cunliffe as Hans, Loren Lester as Herman/Max, David Merino as Lulu, Julian Ramos as Bobby, MiMi Scardulla as Texas, and Paige Smallwood as Rosie. Swings include Hannah Florence, Pedro Garza, Christian Kidd, Chloé Nadon-Enriquez, Corinne Munsch, and Karl Skyler Urban.
Read the reviews below.
CitiTour NYC (Brian Scott Lipton)
Entertainment Weekly (Emlyn Travis)
The L.A. Times (Charles McNulty)*
New York Daily News (Chris Jones)*
New York Magazine/Vulture (Sara Holdren)
The New York Post (Johnny Oleksinski)
New York Stage Review (Melissa Rose Bernardo, Frank Scheck)
New York Theater (Jonathan Mandell)
New York Theatre Guide (Amelia Merrill)
The New York Times (Jesse Green)*
TheaterMania (Zachary Stewart)
The Wall Street Journal (Charles Isherwood)*
*This review may require creating a free account or a paid subscription.
Playbill will continue to update this list as reviews come in.
As in the production's West End run, the theatre has been transformed into an in-the-round Kit Kat Club. Ticket holders receive a "club entry time" before their show date so that everyone's able to take in the pre-show, which can even include a full dinner at some ticket levels. The prologue company, a group of 12 dancers and musicians, welcome theatregoers with a pre-show performance beginning approximately 75 minutes prior to curtain time.
The Broadway prologue company comprises dancers Alaïa, Iron Bryan, Will Ervin Jr., Sun Kim, and Deja McNair. The musicians include Brian Russell Carey on piano and bass, Francesca Dawis on violin, Maeve Stier on accordion, and Michael Winograd on clarinet. Rounding out the company are dancer swings Ida Saki and Spencer James Weidie, and dedicated substitute musician Keiji Ishiguri.
READ: Eddie Redmayne On How His Emcee in Cabaret Is a Shape Shifter
Based on Christopher Isherwood's Goodbye to Berlin and John Van Druten's dramatization of it, I Am a Camera, Cabaret is set in Weimar-era Berlin as American writer Clifford Bradshaw arrives to work on his novel and soak up the debaucherous nightlife. He meets English cabaret performer Sally Bowles and a complex relationship develops, all as the Nazis ascend to power and the spectre of World War II and all its horrors loom on the horizon.
Much of the production's creative team is reprising their work for the Broadway bow, including choreographer Julia Cheng; club, set, and costume designer Tom Scutt; lighting designer Isabella Byrd; sound designer Nick Lidster (for Autograph); and music supervisor and director Jennifer Whyte. Hair and wig design are by Sam Cox, and Guy Common is handling makeup design. Prologue composition and music direction are by Angus MacRae, with Jordan Fein serving as prologue director. Casting is by Bernard Telsey and Kristian Charbonier, and Thomas Recktenwald serves as production stage manager.
The revival is the musical's first new staging on the Main Stem since the 1998 revival, which was also a London transfer. That 1998 production was revived in 2014. Revivals of previous stagings are not uncommon for Cabaret.
The oft-produced work premiered in 1966 with Harold Prince at the helm and Joel Grey starring (and winning a Tony Award) as The Emcee. The original staging (with some revisions) was brought back to Broadway, with Grey reprising his performance, in a 1987 revival. The 1998 version of Cabaret, a more dramatic revision of the work, starred Alan Cumming as the Emcee—Cumming won the Tony for his performance and came back with the production when it was revived in 2014.
The musical was famously adapted for the big screen by director-choreographer Bob Fosse, with Liza Minnelli starring as Sally Bowles. The film version, considerably darker and seedier than Prince's staging, won eight Academy Awards and is considered by many one of the best films ever made. Revisions to the stage work since the 1972 film have largely transplanted the film's energy into the script—along with some of its new songs, including "Mein Herr" and "Maybe This Time."
READ: 50 Years of Cabaret: The Surprisingly Transformative Journey of a Classic
The Broadway transfer is being produced by Ambassador Theatre Group Productions, Underbelly, Gavin Kalin Productions, Hunter Arnold, Smith & Brant Theatricals, and Wessex Grove.
Visit KitKat.club.
Eddie Redmayne in Cabaret
Gayle Rankin in Cabaret
Gayle Rankin, Eddie Redmayne, and company of Cabaret
Company of Cabaret
Gayle Rankin and company of Cabaret
Steven Skybell and Bebe Neuwirth in Cabaret
Henry Gottfried in Cabaret
Eddie Redmayne and company of Cabaret
Gayle Rankin and Ato Blankson-Wood in Cabaret
Gayle Rankin and company of Cabaret
Eddie Redmayne and company of Cabaret
Bebe Neuwirth in Cabaret
